I have to say I passed a lovely afternoon sitting down to read
Barrelhouse and drinking some creamy Earl Grey tea.
I highly recommend
Barrelhouse's debut issue. I thought it was solid and entertaining just about all the way through (with the possible exception of poetry but I guess you guys already know I'm just not the poetry type). I especially liked
Metal Church by Matthew Kirkpatrick (which I believe is also on the
site). That piece was just utterly amazing -- and hilarious. I think it speaks of Gen X quite nicely... how we fit in, how we sold out, how we rediscover who we want to be and come to terms with it, the things we'll do for love. All against the juxtaposition of the church of Heavy Metal. Highly, highly recommended.
Also of note, in my opinion, was
Cool by David Barringer,
Hope I Die, by David Starkey, and
Partners by Paul Graham. The latter story required a great deal of suspension of disbelief on my part -- it's basically a story of the tension in a sexless marriage, which the male protagonist didn't actually know was going to be the case going in. I also had a hard time with infrequent POV shifts, so if I had been an editor I likely wouldn't have chosen it...
but for the fact that it ends up being a pretty impactful story where suspension of disbelief was worth it.
Reality x Reality by Stacey Starkey, the only female contributor of short fiction in the tome, gave me a case of mixed feelings. It's really good -- I'm not sure exactly how to explain it, other than utter pop culture horror (although it kind of reminded me of a movie I saw, where a "reality webcast" was real) and quirkiness but I will say that it made me uncomfortable all the way through. Which certainly is not to say it's bad, but it gave me that sort of inward shudder. I also can't exactly say I liked the narrator, but it's definitely worth a read.
Also particularly enjoyable was the essay
Burn Hollywood by Steve Almond.
Now, I will say, putting this head-to-head with
Gargoyle and I'd still pick
Gargoyle hands down.
Metal Church was the closest thing to a piece that just blew me away. However,
Barrelhouse is far superior (in my view, and I suppose mine might be a sort of Gen X view) to something like
Glimmer Train. I'd also say I'd choose it over something like
Tin House where in my experience, many of the pieces try too hard to be "intellectual" or "clever" or what have you, to the point of getting tedious at times.
In the long run, though, I think this mag could end up being very important, especially to those of us in DC. Nine bucks (eleven, with postage) might seem a little steep but again, it's nice to support a new publication.
Thanks for reading,
LLB